

Luke is the "odd one out", the only one who didn't get a career and settle down. The four are disturbed each night with dreams - mostly nightmares - and visions. Hutch falls through the floor of the church as him and Luke explore it, and find a massive amount of human remains, belonging to adults and children, and animals. They also find an abandoned church, desecrated and repurposed for pagan practices. They come across an ancient shack filled with bones and artifacts. However, the shortcut ends up causing the group to become lost and scared, especially after they discover a disembowelled animal corpse hanging from the trees. The group is forced to take a shortcut through the woods when Phil develops blisters on his feet and Dom injures his knee. The trip was chosen for its frugality due to the fact that Luke is unable to afford much else. Old university friends Dom, Phil, Luke, and Hutch have decided to reunite on a hiking trip through the Swedish mountains.

( February 2017) ( Learn how and when to remove this template message) You can provide one by editing this article. This article needs an improved plot summary. The film adaptation was released in cinemas on 13 October 2017 directed by David Bruckner and starring Rafe Spall and Robert James-Collier.
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Film rights were optioned by Stillking Films, before the option was passed to Imaginarium, who currently holds the film and TV rights. The Ritual is the winner of the 2012 August Derleth Award for Best Horror Novel. It is Nevill's third published novel and was followed by his 2012 work Last Days.

The book was first released in the United Kingdom on 7 October 2011 through Pan Macmillan and was released in the United States on 14 February 2012 through Macmillan imprint St. The Ritual is a 2011 British horror novel by Adam Nevill. Marvel Cinematic Universe uses the Jötunn "frost giants"-Thor's adopted brother Loki (Tom Hiddleston) is actually a frost giant, in addition to being the Trickster God.August Derleth Award for Best Horror Novel A Jötunn-esque character, the Jotun of Grief, appears in the Persona video game series. According to Norman Cohn's Cosmos, Chaos, and the World to Come: The Ancient Roots of Apocalyptic Faith, the Jötunn existed in contrast to the Norse gods, representing the ancient forces behind nature and weather. Though Bruckner takes a lot of liberties with his monster, the creature does have vague roots in Norse mythology.

There are two human-like arms on either side of its "face," which it uses to press humans into the ground when it wants them to bow. We do not speak its name." When we finally see the creature, it looks like a black, shaggy demon horse, though instead of a horse's head, it has an opening that leads to a pair of bright eyes. As one of them explains to Luke, they've been granted an "unnatural long life" by the god they worship.ĭoes the monster come from Norse mythology?īefore the big showdown, a cult member tells Luke, "It is a god.
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The Swedes who worship the death god in the movie aren't Candlemass fans wearing eyeliner they look like extras from The Witch, dressed in old pilgrim-era robes. The film, based on Adam Nevill's 2011 novel, scraps the original story's focus on black metal music and contemporary Swedish culture. Some critics called the mid-move switch from a camping nightmare to a monster movie jarring, but-to this viewer-it was exhilarating. The film feels like an all-male reboot of The Blair Witch or The Descent, until the scene in which Bruckner lays all his Scandinavian-death-cult cards on the table. It's that ancient creature which hunts the characters in The Ritual, but that aspect of the story doesn't appear until halfway in. The beast gave every tortured person a choice: Submit and worship it for life, or die in unimaginable pain. The headless effigy in the first half of 'The Ritual.' Netflix So what is this monster exactly?Īccording to The Ritual, ancient Scandinavian people who were burdened by emotional pain were sometimes granted an otherworldly escape-their gods sent a nameless beast to ease their suffering.
